A photograph, pushed through the screen.
A serigraph language that keeps the photographic origin of the image while flattening it into hard posterised steps. Cyan, magenta, yellow and a dark key print through separate screens at different angles, so overlaps create new hues and edges fringe with misregistration. Independent translucent colour fields float behind or across the subject, squeegee pulls streak the flats, and the unprinted paper stays stark white.
One visual language across portrait, fashion, interior, architecture, process, object, botany, and landscape.
Faces and full silhouettes reveal how the style handles identity, proportion, and clothing. No drawn outlines; edges come from hard posterised tonal jumps in the photographic separations, softened only by ink bleed.
An interior and an architectural threshold test depth, light, and spatial rhythm at two different scales. Collage-like stacking where floating geometric colour fields sit independently of the photographic subject, with depth from overlap order rather than perspective.
A process image and a still life show whether the treatment stays tactile both in motion and at rest. Coarse rotated halftone dots in the midtones, chromatic fringing from plate offset, squeegee drag striations, ink spatter and slight bleed.
Organic forms and a shared food ritual put color, softness, and visual appetite under pressure. Translucent cyan, magenta and yellow layers with a dark key; overlaps mix into greens, vermilions and indigos while highlights stay as bare paper.
A close material study and an open landscape show how the same sensibility travels from detail to horizon. Multi-screen photographic serigraph in translucent process inks on heavy white wove paper
Process Cyan
#25a9df
Fuchsia
#e8358f
Lemon Yellow
#f5e13a
Deep Violet Key
#3b2a6b
Overprint Green
#3fae6a
Paper White
#f7f6f2
Three different inks layer to make bold scenes.
Cut paper. Five inks. No wasted shape.
Sunlight, iron and paper.
Monochrome Dithered Printing
Puffed up, lacquered, loud.
Sun-warmed and quaint screenprinted sketches.
Airbrushed skies, dithered grain.
Carbon dark, violet built with crackling pink seams.
Carry the same visual language across the image models you already use. Switch the engine without starting your art direction over.
Bring photographic silkscreen into your next brief, then combine it with your own character, product, or layout.