Cut paper. Five inks. No wasted shape.
A modernist cut-paper and small-run screenprint language where five flat colors do all the structural work. Off-register edges and paper grain keep the geometry physical, while strong silhouettes make it useful at any scale.
One visual language across portrait, fashion, interior, architecture, process, object, botany, and landscape.
Faces and full silhouettes reveal how the style handles identity, proportion, and clothing. Hard-edged silhouette planes meet without outlines; every shape must carry structural meaning.
An interior and an architectural threshold test depth, light, and spatial rhythm at two different scales. Asymmetric blocks, generous margins, and one dominant silhouette make the image read from poster distance.
A process image and a still life show whether the treatment stays tactile both in motion and at rest. Off-register halos and risograph grain reveal the mechanics of small-run printing.
Organic forms and a shared food ritual put color, softness, and visual appetite under pressure. Five inks replace shading. Contrast, overlap, and cream-paper slivers create depth without gradients.
A close material study and an open landscape show how the same sensibility travels from detail to horizon. Cut-paper geometry and five-color small-run screenprint
Warm Cream
#F5EFDF
Terracotta
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Slate Blue
#5A7A8C
Sage Green
#6B8C5A
Ochre Yellow
#D4A82A
Historical ornamental Illustrative design.
A printmaking technique made up of carve marks and block colors.
Lush flat greens, fine lines, calm people.
Sun-warmed and quaint screenprinted sketches.
Scissors, painted paper, flat colour.
A photograph, pushed through the screen.
Three different inks layer to make bold scenes.
Two tones. Infinite editorial depth.
Carry the same visual language across the image models you already use. Switch the engine without starting your art direction over.
Bring colorblock screenprint into your next brief, then combine it with your own character, product, or layout.