Bold Block Colour Poster

Six flat colours with zero shading.

Everything becomes flat. One solid saturated field for the ground and every object, figure and leaf reduced to a single-tone silhouette. Razor-sharp edges, no outlines, no gradient and no grain. Four to six colours per image are drawn from hot pink, grass green, cobalt, vermilion, lemon, lilac, orange and forest green with hard chromatic contrast between neighbouring planes.

Featured

Vector

Flat color

Vivid

High contrast

Bright

Playful

Bold

Create a loud look

The same style, under different pressure.

From expression to silhouette

Faces and full silhouettes reveal how the style handles identity, proportion, and clothing. No drawn line at all; every form is a hard-edged flat silhouette simplified to bold geometric shapes at generous scale, with faces and hands reduced to two tones and vessel openings allowed as a single flat ellipse.

From room to threshold

An interior and an architectural threshold test depth, light, and spatial rhythm at two different scales. Full-bleed single-colour grounds with one or two large shapes and generous scale; starbursts and checkerboards only as small secondary motifs. Posters stack ultra-bold uppercase headlines flush-left over one invented abstract shape, type in black, cream or one accent colour.

From making to object

A process image and a still life show whether the treatment stays tactile both in motion and at rest. Perfectly flat like a pristine screenprint: no grain, no texture, no paper, no noise, and mathematically crisp edges everywhere.

From botany to ritual

Organic forms and a shared food ritual put color, softness, and visual appetite under pressure. Pure opaque fills in hot pink, grass green, cobalt, vermilion, lemon, lilac, orange and forest green, four to six per image, with no light source, no shadow and no gradient; contrast comes only from colour opposition between adjacent planes.

From palette to landscape

A close material study and an open landscape show how the same sensibility travels from detail to horizon. Flat digital colour-block poster graphics with heavy grotesque display type

From type to poster

A poster and a lettering study show how the style sets words: headline, small text, and the space around them. Ask for a poster, cover, or wordmark and the type comes with it; ask for a plain image and it stays out. Full-bleed single-colour grounds with one or two large shapes and generous scale; starbursts and checkerboards only as small secondary motifs. Posters stack ultra-bold uppercase headlines flush-left over one invented abstract shape, type in black, cream or one accent colour.

The elements of the look.

Hot Pink

#fc5ca9

Grass Green

#239f43

Cobalt

#085ce0

Lemon

#fce515

Vermilion

#ef371e

Lilac

#c790d8

Forest Green

#0b4635

Cream

#f8f5ea

Line & shape: No drawn line at all; every form is a hard-edged flat silhouette simplified to bold geometric shapes at generous scale, with faces and hands reduced to two tones and vessel openings allowed as a single flat ellipse.
Color & light: Pure opaque fills in hot pink, grass green, cobalt, vermilion, lemon, lilac, orange and forest green, four to six per image, with no light source, no shadow and no gradient; contrast comes only from colour opposition between adjacent planes.
Texture & surface: Perfectly flat like a pristine screenprint: no grain, no texture, no paper, no noise, and mathematically crisp edges everywhere.
Composition: Full-bleed single-colour grounds with one or two large shapes and generous scale; starbursts and checkerboards only as small secondary motifs. Posters stack ultra-bold uppercase headlines flush-left over one invented abstract shape, type in black, cream or one accent colour.