One style. Any model.
Carry the same visual language across the image models you already use. Switch the engine without starting your art direction over.
Waxy colors on paper with a thick tooth.
A hand-drawn oil pastel language where every subject is built from side-of-stick scumbling, greasy blended colour and crumbly pigment sitting on rough watercolour paper. Saturated Fauvist grounds in cobalt, ochre, pink, mint or plum carry simplified, flattened forms, while irregular umber contour lines break and skip around them and thick white wax dabs sit on top as highlights. Portraits, rooms, food and landscapes all read as confident, joyful sketchbook drawings rather than paintings.

One visual language across portrait, fashion, interior, architecture, process, object, botany, and landscape.


Faces and full silhouettes reveal how the style handles identity, proportion, and clothing. Irregular, varied-pressure contour lines in dark umber or black oil pastel with broken, skipping edges; broad simplified shapes and a flattened, naive perspective with minimal volumetric shading.


An interior and an architectural threshold test depth, light, and spatial rhythm at two different scales. Frontal, close, sketchbook-like framing with planar colour blocking, generous flat background fields and subjects simplified into a few confident masses.


A process image and a still life show whether the treatment stays tactile both in motion and at rest. Velvety waxy drag with crumbly pigment deposits, greasy smearing between colours, striated side-of-stick scumble and coarse paper tooth pitting through 70 to 90 percent coverage.


Organic forms and a shared food ritual put color, softness, and visual appetite under pressure. Bold saturated Fauvist colour fields (cobalt, ochre, pink, mint, plum) with shadows as deep chromatic plums and viridians; highlights are thick opaque white wax dabs rather than rendered light.


A close material study and an open landscape show how the same sensibility travels from detail to horizon. Professional soft oil pastel on rough cold-press watercolour paper
Cobalt Field
#065ad6
Plum Shadow
#38283e
Ochre Ground
#d6881e
Rose Field
#d7416b
Mint Wall
#95bdb0
Terracotta
#996355
Cream Paper
#e9cda2
A hand-drawn oil pastel language where every subject is built from side-of-stick scumbling, greasy blended colour and crumbly pigment sitting on rough watercolour paper. Saturated Fauvist grounds in cobalt, ochre, pink, mint or plum carry simplified, flattened forms, while irregular umber contour lines break and skip around them and thick white wax dabs sit on top as highlights. Portraits, rooms, food and landscapes all read as confident, joyful sketchbook drawings rather than paintings.
Bold Oil Pastel works well for editorial illustration, food and recipe art, book covers, brand illustration, greeting cards, and portrait commissions. It feels warm, tactile, joyful, handmade, bold, and sunlit, and it's built from oil pastel sticks, cold-press paper tooth, side-of-stick scumble, broken umber contours, white wax highlights, and saturated colour fields.
Just a brief. Select "Create a warm look" to start a chat with Bold Oil Pastel already in your prompt, then describe what you want. Reference images are optional.
Yes. Add a character to the same chat, or drop in a photo of your own character or product, and Bold Oil Pastel carries over to what you make.
Yes. New users get free credits to try Bold Oil Pastel, no credit card required. After that, you can continue with a subscription or a credit pack.
You download the original file the image model made, so the format depends on the model you use.
Yes, once you've bought credits. A subscription or credit pack unlocks commercial rights for what you make, subject to the underlying model's license. Free credits are for non-commercial use.

Waxy strokes on cream paper.

Scratched into being at the edge of the known world.

Inky black blots and colour wash accents

Scissors, painted paper, flat colour.

Sketchy, charcoal effects in stark compositions

Six flat colours with zero shading.

Color with a lived-in memory.

The world, painted from memory.
Carry the same visual language across the image models you already use. Switch the engine without starting your art direction over.
Bring bold oil pastel into your next brief, then combine it with your own character, product, or layout.