Pink trees under a cyan sky.
The look of colour infrared film: anything with chlorophyll turns pink, coral or crimson, skies deepen to cyan and blue, skin, stone and water go pale and luminous, and the whole scene glows in bright daylight with a slight softness and fine grain. Landscapes are the obvious home, but people, rooms and objects follow the same material logic: plants and fabrics shift hue, skin goes porcelain, skies stay cyan.
One visual language across portrait, fashion, interior, architecture, process, object, botany, and landscape.
Faces and full silhouettes reveal how the style handles identity, proportion, and clothing. No drawn line; ordinary photographic forms made strange by colour, with clean horizons and calm subjects.
An interior and an architectural threshold test depth, light, and spatial rhythm at two different scales. Straightforward landscape and documentary framing, subjects centred against wide skies, quiet and still.
A process image and a still life show whether the treatment stays tactile both in motion and at rest. Fine grain, a soft glow on highlights, slightly reduced micro-contrast in foliage, smooth skies.
Organic forms and a shared food ritual put color, softness, and visual appetite under pressure. Bright daylight, foliage in pink to crimson, cyan to deep blue skies, pale luminous skin, stone and water, gentle contrast.
A close material study and an open landscape show how the same sensibility travels from detail to horizon. Colour infrared film photography in bright daylight
Candy Pink
#e79fa3
Rose Foliage
#d07880
Wine Shadow
#874a42
Turquoise Sky
#099cb7
Pale Cyan
#9ccfdc
Neutral Blush
#ddc6c3
The look of colour infrared film: anything with chlorophyll turns pink, coral or crimson, skies deepen to cyan and blue, skin, stone and water go pale and luminous, and the whole scene glows in bright daylight with a slight softness and fine grain. Landscapes are the obvious home, but people, rooms and objects follow the same material logic: plants and fabrics shift hue, skin goes porcelain, skies stay cyan.
Infrared Color Film works well for travel and landscape imagery, album art, fashion editorials, surreal brand campaigns, posters, and music visuals. It feels surreal, serene, otherworldly, bright, calm, and strange, and it's built from infrared channel swap, pink foliage, cyan sky, pale luminous skin, bright daylight, and fine grain.
Just a brief. Select "Create a surreal look" to start a chat with Infrared Color Film already in your prompt, then describe what you want. Reference images are optional.
Yes. Add a character to the same chat, or drop in a photo of your own character or product, and Infrared Color Film carries over to what you make.
Yes. New users get free credits to try Infrared Color Film, no credit card required. After that, you can continue with a subscription or a credit pack.
You download the original file the image model made, so the format depends on the model you use.
Yes, once you've bought credits. A subscription or credit pack unlocks commercial rights for what you make, subject to the underlying model's license. Free credits are for non-commercial use.
A thick glaze over a subject.
Midday sun and summer light.
Enchanted biology takes your scene to new worlds.
Warm light moves through subjects
Yellow light creating rich scenes.
Soft light, faded film, a fairytale afternoon.
Late-analog documentation in a bold and rounded orb
Color with a lived-in memory.
Carry the same visual language across the image models you already use. Switch the engine without starting your art direction over.
Bring infrared color film into your next brief, then combine it with your own character, product, or layout.