HOW TO PROMPT KLING 3.0
Kling 3.0 thinks in shots, not keywords. Write prompts like a director — describe the camera, the motion, the light, and the feeling — and Kling will build the scene.
Think in shots, not keywords
The biggest mistake people make with AI video is prompting like they would for an image. Kling 3.0 generates motion — so your prompt needs to describe how the shot moves.
Every strong Kling prompt covers these elements in one flowing sentence:
- Camera — What type of shot and how it moves
- Subject — Who or what is on screen and what they're doing
- Environment — Where the scene takes place
- Lighting — What the light source is and how it feels
- Texture — Physical details that sell the realism
- Emotion — The mood or tone of the moment
You don't need to hit all six every time — but the more you include, the more control you have.
Lead with the camera
Open every prompt with how the shot is captured. Kling responds strongly to specific camera language because it defines the entire visual feel of the output.
Use real camera behavior:
- Handheld drift, shoulder-cam sway
- Dolly push-in, slow tracking shot
- Whip-pan, crash zoom, snap focus
- Static tripod, locked-off wide
- Rack focus between foreground and background
Add lens detail when it matters:
- "Shot on 35mm film" — warm grain, organic feel
- "Macro 85mm lens" — tight detail, shallow depth
- "Handheld camcorder" — raw, VHS-style energy
- "Wide-angle steadicam" — smooth, immersive movement
The camera isn't just where you're looking — it's how the audience feels.
The four rules of Kling prompting
Keep these in mind every time you write a prompt
- Motion verbs matter.
- Use cinematic phrasing: dolly push, whip-pan, shoulder-cam drift, crash zoom, snap focus. Generic words like 'moves' or 'goes' give Kling nothing to work with.
- Texture = credibility.
- Include grain, lens flares, reflections, fabric sheen, condensation, smoke, sweat — tactile details that make the output feel physically real.
- Describe the temporal flow.
- Tell Kling how the shot evolves: beginning → middle → end. A prompt with continuity produces coherent motion instead of a frozen moment.
- Name real light sources.
- Don't just say 'dramatic lighting.' Say neon signs, candlelight, golden hour, LED panels, flickering fluorescent tubes. Real sources produce real results.
Anatomy of a great prompt
Here's a real Kling prompt broken down by element:
"Static tripod camera in narrow neon-lit ramen shop, condensation fogs the window, couple sits side by side under flickering magenta sign, steam rising from bowls as they eat noodles in slow synchronized rhythm, broth splattering gently, their faces softly illuminated by red neon glow, shot on 35mm film with shallow focus and glowing bokeh behind them."
- Camera: Static tripod, shot on 35mm film
- Subject: Couple eating noodles in synchronized rhythm
- Environment: Narrow neon-lit ramen shop
- Lighting: Flickering magenta sign, red neon glow
- Texture: Condensation, steam rising, broth splattering
- Emotion: Shallow focus and glowing bokeh — intimate, cinematic warmth
Notice how it reads like a single continuous take — not a list of keywords. That flow is what gives Kling the information it needs to generate coherent motion.
Color, mood, and film tone
Color language should be literal but emotive. Don't just say "blue" — say "cool blue haze." Don't say "warm" — say "amber nightclub strobe."
Effective color direction:
- "Cool blue haze filling the corridor"
- "Amber nightclub strobe cutting through smoke"
- "Magenta neon reflecting off wet asphalt"
- "Golden hour light catching dust particles"
- "Desaturated teal grade, crushed blacks"
You can also reference film stocks and color grades directly. Kling understands terms like "VHS camcorder aesthetic with heavy grain and chromatic aberration" or "shot on 35mm film" and adjusts the entire visual treatment accordingly.
Go realistic or go wild
One of the best ways to use Kling is to run the same concept through different stylistic lenses.
Realistic version: "Handheld camcorder footage zooming in erratically on woman's face as she devours a messy slice of pizza, melting mozzarella stretching and dripping, bright red tomato sauce smearing across her lips, VHS aesthetic with heavy grain, dim party lighting with colored gels."
Experimental version: "Handheld shoulder-cam drifting through endless mirror maze reflecting multiple versions of two women eating food infinitely, strobing pink and cyan light washing over reflections, dripping sauces morph into shimmering liquid chrome, camera performs continuous circular orbit as reflections distort in rhythm with pulsing ambient bass."
Same concept, completely different energy. The realistic version leans on texture and physicality. The experimental version leans on surrealism and abstract motion. Both work because they give Kling specific visual instructions.
Weak prompts vs strong prompts
See the difference specific language makes.
| Element | Weak Prompt | Strong Prompt |
|---|---|---|
| Camera | Camera follows person | Handheld shoulder-cam drifts behind subject with subtle sway |
| Subject | A woman walking | Woman in red dress, heels clicking on wet cobblestone |
| Environment | In a city | Narrow Tokyo alley, steam rising from grates, vending machines glowing |
| Lighting | Dramatic lighting | Flickering neon signs casting magenta and cyan across wet pavement |
| Texture | It looks realistic | Rain beading on leather jacket, condensation on glass, visible breath |
| Motion | She walks away | She turns slowly, hair catching the light, then disappears around the corner |
Common prompting questions
Put these techniques to work
The best way to learn Kling 3.0 prompting is to try it. Start with one of the example prompts above and make it your own.