Early 2000s Digital Camera (Flux Dev LoRA)

Black-and-white clips of crowded subways, clock-punching, people in suits moving like robots

a low resolution image of an damaged abandoned building

a low resolution image of an car crash

a low resolution image of a building underwater

Ultra-realistic first-person POV image of a diver underwater, looking downward at a submerged city in ruins. The diver’s hands and wetsuit sleeves are visible in the foreground. Below, a large, rusted train is partially buried in silt and algae, sitting on old tracks that are now coated with marine life. Around it, decaying buildings with shattered windows, old vehicles, and submerged street signs add to the atmosphere of decay. The water is deep blue with subtle light rays piercing through from above, creating soft beams and revealing floating particles. The scene should feel realistic and hauntingly silent, with no fantasy or supernatural elements — just the slow deterioration of man-made structures under the ocean. The image should evoke the feeling of a forgotten world, lost to time. Use GoPro-style fisheye lens, motion blur, natural underwater lighting, and floating particles. --ar 16:9 --v 6 --style photographic

A focused young man with a well-groomed beard, sharp jawline, thick dark puffed hair, and a slight smile sits at a wooden desk, looking towards the camera, working on a silver laptop in a bright, modern home office. He is wearing a black shirt with a loosely tied white tie. The room has a clean and professional atmosphere, featuring a gray wall, bookshelves, framed art, a desk lamp, and green plants. Natural light fills the space, highlighting his confident and approachable demeanor.

A focused young man with a well-groomed beard, thick dark puffed hair, and a slight smile sits at a wooden desk, looking towards the camera, working on a silver laptop in a bright, modern home office. He is wearing a black shirt with a loosely tied white tie. The room has a clean and professional atmosphere, featuring a gray wall, bookshelves, framed art, a desk lamp, and green plants. Natural light fills the space, highlighting his confident and approachable demeanor.

A focused young man with a well-groomed beard, thick dark puffed hair, and a slight smile sits at a wooden desk, working on a silver laptop in a bright, modern home office. He is wearing a black shirt with a loosely tied white tie. The room has a clean and professional atmosphere, featuring a gray wall, bookshelves, framed art, a desk lamp, and green plants. Natural light fills the space, highlighting his confident and approachable demeanor.

A focused young man with a well-groomed beard, thick dark wavy hair, and a slight smile sits at a wooden desk, working on a silver laptop in a bright, modern home office. He is wearing a black shirt with a loosely tied white tie. The room has a clean and professional atmosphere, featuring a gray wall, bookshelves, framed art, a desk lamp, and green plants. Natural light fills the space, highlighting his confident and approachable demeanor.

A focused young man with a well-groomed beard, thick dark wavy hair, and a slight smile sits at a wooden desk, working on a silver laptop in a bright, modern home office. He is wearing a black shirt with a loosely tied white tie. The room has a clean and professional atmosphere, featuring a gray wall, bookshelves, framed art, a desk lamp, and green plants. Natural light fills the space, highlighting his confident and approachable demeanor.

a "low resolution" photo of a "tall, skinny, grey" creature holding a gun in a hallway

a "low resolution" photo of someone holding a gun

Create a hyper-realistic first-person video filmed with a chest-mounted bodycam during a daytime urban firefight. The camera view captures the movement of the character’s body as they run, stop, and fire a rifle. Visible hands and arms hold the weapon tightly. Each shot causes natural body recoil, shaking the camera slightly with realistic vibrations. The camera tilts subtly as the character leans behind cover (a low concrete wall or abandoned car), then pops up quickly to return fire. Explosions echo in the background. Dust and smoke fill the air. The soldier occasionally breathes heavily, the chest moving slightly up and down with exertion. Footsteps are heard over broken pavement, shell casings fall to the ground, and muzzle flashes light up the frame. The bodycam footage has a VHS effect: scan lines, static noise, chromatic distortion on fast movement, and muted, faded color tones. Lens has visible dirt, scratches, and motion blur. No sci-fi or fantasy — everything is grounded in r…

Create a hyper-realistic first-person video filmed with a chest-mounted bodycam during a daytime urban firefight. The camera view captures the movement of the character’s body as they run, stop, and fire a rifle. Visible hands and arms hold the weapon tightly. Each shot causes natural body recoil, shaking the camera slightly with realistic vibrations. The camera tilts subtly as the character leans behind cover (a low concrete wall or abandoned car), then pops up quickly to return fire. Explosions echo in the background. Dust and smoke fill the air. The soldier occasionally breathes heavily, the chest moving slightly up and down with exertion. Footsteps are heard over broken pavement, shell casings fall to the ground, and muzzle flashes light up the frame. The bodycam footage has a VHS effect: scan lines, static noise, chromatic distortion on fast movement, and muted, faded color tones. Lens has visible dirt, scratches, and motion blur. No sci-fi or fantasy — everything is grounded in r…

Create a hyper-realistic first-person video filmed with a chest-mounted bodycam during a daytime urban firefight. The camera view captures the movement of the character’s body as they run, stop, and fire a rifle. Visible hands and arms hold the weapon tightly. Each shot causes natural body recoil, shaking the camera slightly with realistic vibrations. The camera tilts subtly as the character leans behind cover (a low concrete wall or abandoned car), then pops up quickly to return fire. Explosions echo in the background. Dust and smoke fill the air. The soldier occasionally breathes heavily, the chest moving slightly up and down with exertion. Footsteps are heard over broken pavement, shell casings fall to the ground, and muzzle flashes light up the frame. The bodycam footage has a VHS effect: scan lines, static noise, chromatic distortion on fast movement, and muted, faded color tones. Lens has visible dirt, scratches, and motion blur. No sci-fi or fantasy — everything is grounded in r…

Ultra-realistic first-person POV, captured during a daytime firefight in a warzone, with the camera mounted on the chest or helmet. The person is aiming and firing a rifle, with visible hands gripping the gun. The scene is chaotic: explosions in the background, smoke rising from wrecked vehicles, and bullets hitting the ground nearby. The camera shakes with the recoil of each shot, and the surrounding environment is filled with dust and debris. The image has a VHS effect — grainy texture, scan lines, and slight distortion, like it was recorded with an old camcorder. The sunlight is harsh, casting sharp shadows on the battlefield, and distant gunfire, yelling, and the sound of footsteps are audible. The scene is gritty, realistic, and grounded, with the VHS effect adding an eerie and nostalgic feel. --ar 16:9 --v 6 --style cinematic --vhs

*"Neon-style photo 16:9 landscape, two luxury sports cars racing at night, male drivers, glowing moon, alien city skyline with surreal towers, neon streetlights stretching to horizon, ultra-detailed, cyberpunk vibes, cinematic lighting."* Key Features Packed: Style/Size: Neon, 16:9 landscape Focus: Racing luxury cars (male drivers)The faces of the drivers should be accurate and realistic with full details. Atmosphere: Glowing moon, alien city, neon lights Quality: Ultra-detailed, cinematic neon

*"Neon-style 16:9 landscape, two luxury sports cars racing at night, male drivers, glowing moon, alien city skyline with surreal towers, neon streetlights stretching to horizon, ultra-detailed, cyberpunk vibes, cinematic lighting."* Key Features Packed: Style/Size: Neon, 16:9 landscape Focus: Racing luxury cars (male drivers)The faces of the drivers should be accurate and realistic with full details. Atmosphere: Glowing moon, alien city, neon lights Quality: Ultra-detailed, cinematic

a "tall, deformed, black" creature hanging in a hallway

a "tall, black, deformed" creature standing next to a bed in in a dark room

a "tall, black, deformed" creature standing next to a lamp in in a dark room

a man is holding a bunch of umbrellas in the garden, rain

Very realistic picture, ultra HD, 8k, HVS style. Adam and Eve, a man and a woman, wearing only animal skin clothes like human clothes in ancient times, looking at the sky with fear, and from the sky a white light shines towards Adam and Eve, the background of the wild forest.

Very realistic picture, ultra HD, 8k, HVS style. Adam and Eve, a man and a woman, wearing only clothes made of ancient animal skins, looked up at the sky in fear, and from the sky a white light shone towards Adam and Eve, the background of the wild forest.

Very realistic picture, ultra HD, 8k, HVS style. Adam and Eve, a man and a woman, wearing only clothes made of ancient animal skins, looked up at the sky in fear, and from the sky a white light shone towards Adam and Eve, the background of the wild forest.

hyper realistic image, ultra HD, 8k, HVS style. Adam and Eve, a man and a woman, dressed only in leaves, looked up at the sky in fear, and from the sky there was a white light shining towards Adam and Eve, the background of the wild forest.

a low resolution picture of tung tung tung sahur

a low resolution picture of 2 red eyes coming out of a lamp that is turned off

JPEGMAFIA outside standing on a hill

A Tall Man Standing in the Corner, Liminal Space, Dreamcore, 2000's Vibe, Dark Room with Light

scary 8 foot tall dark creature in the backrooms, staring at the camera, liminal space, low ceiling

scary 8 foot tall dark creature in the backrooms, staring at the camera, liminal space, low ceiling

scary minecraft steve in the backrooms, staring at the camera, liminal space

scary miss piggy in the backrooms, staring at the camera, liminal space

scary grover in the backrooms, staring at the camera, liminal space

scary spongebob in the backrooms, staring at the camera, liminal space