1930s Rubberhose Inspired Style - V1

camarera trabajando en geriátrico, ancianos comiendo

fierce kawaii couple heros together, one brown eyes blonde long hair fox wielding a pencil-weapon in armor, and one angry magician donkey-man conjuring dark magic

persona-cerdo zombie cejijunto vistiendo moderno ropa con gran logotipo famoso de marca de lujo, gafas de sol, tatuajes y joyas poniendo morritos a el móvil, empujando un carro de la compra lleno de barro y basura, rodeado de cerdos que lo adoran

Create two perfect circles. Put the text "Natural Geeez Coco" in the first circle. In the second circle, draw a coconut and a palm tree in the center. In each corner, print a surfing t-shirt.

two birds standing together and one has a cigarrette looking tired with red eyes

A cartoon style surfwear trailer logo that says GEEEZ SURF SHOP

Crear una imagen de de hinchada de colo colo

the brain and beer bottle fighting and flower girl laughing to them

a bottle of beer kicks a brain's ball and laugh while the brain screaming

a bottle of beer kicks a brain and laugh while the brain screaming

A stylized shadow figure inspired by Steamboat Willie’s 1928 design sits in a sleek, high-tech chair. He has rubber hose limbs, exaggerated white gloves, large circular ears, and a rounded cartoon body—all fully silhouetted, with no facial details shown. The scene is viewed from behind, over his right shoulder, as he faces a glowing holographic console. He is surrounded by a futuristic, vaporwave-lit control room. Floating holographic screens flicker in hazy neon purples, magentas, and electric blues. The central screen clearly reads: “Videos Uploaded" 88 Other panels display thumbnail loops, glitching social media icons, and pulsing metrics. The character’s gloved hands rest on glowing controls, mid-action, uploading content in real time. Fog and painterly grain fill the air, and rim light outlines his silhouette, adding cinematic depth. Camera Movement: A slow dolly-in from behind his right shoulder, tilting slightly upward to center the screen that reads “Videos Uploaded.” Aest…

A stylized shadow figure inspired by Steamboat Willie’s 1928 design sits in a sleek, high-tech chair. He has rubber hose limbs, exaggerated white gloves, large circular ears, and a rounded cartoon body—all fully silhouetted, with no facial details shown. The scene is viewed from behind, over his right shoulder, as he faces a glowing holographic console. He is surrounded by a futuristic, vaporwave-lit control room. Floating holographic screens flicker in hazy neon purples, magentas, and electric blues. The central screen clearly reads: “Videos Uploaded" 88 Other panels display thumbnail loops, glitching social media icons, and pulsing metrics. The character’s gloved hands rest on glowing controls, mid-action, uploading content in real time. Fog and painterly grain fill the air, and rim light outlines his silhouette, adding cinematic depth. Camera Movement: A slow dolly-in from behind his right shoulder, tilting slightly upward to center the screen that reads “Videos Uploaded.” Aest…

A stylized shadow figure inspired by Steamboat Willie’s 1928 design sits in a sleek, high-tech chair. He has rubber hose limbs, exaggerated white gloves, large circular ears, and a rounded cartoon body—all fully silhouetted, with no facial details shown. The scene is viewed from behind, over his right shoulder, as he faces a glowing holographic console. He is surrounded by a futuristic, vaporwave-lit control room. Floating holographic screens flicker in hazy neon purples, magentas, and electric blues. The central screen clearly reads: “Videos Uploaded: 1… 23… 47… 88” Other panels display thumbnail loops, glitching social media icons, and pulsing metrics. The character’s gloved hands rest on glowing controls, mid-action, uploading content in real time. Fog and painterly grain fill the air, and rim light outlines his silhouette, adding cinematic depth. Camera Movement: A slow dolly-in from behind his right shoulder, tilting slightly upward to center the screen that reads “Videos Uplo…

Instruction manuals inside instruction house, get some papers taken out by a messenger to the big brick giant brick making facotry

Instruction manuals inside instruction house, get some papers taken out by a messenger to the big brick making facotry

Protein synthesis aims to produce proteins, with DNA acting as instructions in the nucleus. These instructions are sent to the ribosome factory, where proteins are formed through messenger RNA (mRNA), which can come out of the nucleus; however, the DNA can’t come out of the Nucleus.

Protein synthesis aims to produce proteins, with DNA acting as instructions in the nucleus. These instructions are sent to the ribosome factory, where proteins are formed through messenger RNA (mRNA), which can come out of the nucleus; however, the DNA can’t come out of the Nucleus.